Resumo:
The research presented here results from the experiences lived by myself and by
other women in the context of the Leia Mulheres-Salvador reading club, whose
purpose is to read and debate works written by women, in the time interval between
April 2017 and September 2022. Throughout this period, as a member and
researcher, I sought to investigate how the moderators of the group assess the
repercussions of readings, reflections and debates on their processes of
representation and identification. To do so, initially, I contextualize the emergence
of Leia Mulheres in Brazil and discuss my personal and social motivations for
choosing the group in Salvador as a research context, starting from reflections on
my own trajectory and cathartic moments experienced during the debates. Then, I
propose to discuss and design the research methodology, presenting the
methodological procedures used, with the support of Anthropology from the
concept of participant observation, as proposed by Ingold (2015; 2019), advocating
a participatory and openly interpretive- critical posture in carrying out the research.
The concepts of discourse, social change and discursive practice, articulated by the
Critical Discourse Analysis undertaken by Fairclough (2016), proved to be a
consistent theoretical starting point. From it, we weave dialogues with Critical
Applied Linguistics (KLEIMAN, 2013) and we highlight the relevance of the group
in raising questions about the production, distribution and consumption of literature
written by women in Brazil, considering Dalcastagnè's (2012) look at these aspects,
as well as the concepts of place of speech and representation (RIBEIRO, 2017).
The moderators, chosen as subjects of this research, are presented in the form of
chronicles elaborated from the answers given to the questionnaires, intertwined
with reflections on identity, identification and gender performances, with emphasis
on the ideas of Hall (2014), Butler (2003, 2019). The reports provided by the
moderators were organized and grouped in the text based on the perception and
systematization of common and recurring themes, passing through their personal
experiences with the group and their impressions in relation to works, authors,
characters, as well as the purpose and character assumed by the group in Salvador.
They were then articulated with relevant theoretical reflections for the analysis of
the discursive practices in question, with emphasis on dialogue with several authors
who think about the identified issues from feminist perspectives. Finally, I recover
the central propositions developed throughout the thesis, projecting possible
alternatives regarding the production, distribution and consumption of works
written by women, evaluating the possible social impacts of reading these works
and discussing the social contributions of the research carried out. Among the
results, the following stand out: the relevance of the group in the relationship of
each moderator with reading, which starts to assume a collective and critical
character, as well as the different impressions among the moderators about the
purpose of the group, despite its apparent homogeneity. The writing of this thesis
thus contributes to outline a profile of Leia Mulheres-Salvador in its identity,
diversity, divergences and contradictions.