NATUREZA DE UM CORPO IMPOSSÍVEL: DESOBEDIÊNCIAS ESCRITAS, CONTADAS E REPRESENTADAS

Abstract

This research is based on poetic practice and seeks a textual production that uses my body as the procedural result of a fabulation that occurs in the juxtaposition of my memories (physical/poetic/fictional) and memories collected from other women, as traces of resistance and maintenance of the feminine. The question that guides this investigation is: how is it possible, through my body, to make the stories of historically silenced subjects emerge and echo, so that their subjectivities become objects of artistic-scientific knowledge? To this end, my proposal is that the body—memory—writing-poetic arrangement and its articulation with theoretical reflections, by exploring the possibilities of fabulation, be an instrument to rub the boundaries between my story and those of other women. A means to bring these voices to the fore. This interdisciplinary research is characterized as a qualitative work that addresses gender, territorialities, identity, orality, self-investigative studies of the body and performance, which aims to delve into personal, political, social and cultural dimensions, through the body—memory—writing-poetic arrangement, as a means of rescuing, reiterating and recreating feminine narratives. In this way, the study points to reflections on the insurrection of our voices/stories through art, considering our pluralities, in order to demonstrate that representation through artistic creation is a tool for survival.