SEDE DOS GRUPOS DE TEATRO, Finos Trapos e Coletivo Dasliliths: Espaço de afeto dedicado à produção de memória, e conhecimento.

Abstract

This writing is intended to the reflection of a space/headquarters, a space that is configured as a place of creation, but also as a place of support, a place of understanding of the theatrical language, and sometimes, the place of reflection of the policies of access. As a member of two theater groups residing in the city of São Salvador Grupo de Teatro Finos Trapos (BA), Coletivo Dasliliths (BA) and manager of Evoé Casa de Criação (BA), this research asks mainly about the place of survival, with the new scenario presented without policies aimed at groups that occupy spaces / headquarters in the capital of Bahia. Despite a context in which the public bidding policy was achieved, it is no longer possible for theater groups, especially in the state of Bahia, to maintain themselves only with public resources, as the means and mechanisms are insufficient. From a methodological point of view, the principles, procedures and practices that support the development of the research come from empirical research of a qualitative nature, carried out through the action research method (VERGARA, 2005; THIOLLENT, 2009; MACKE, 2006). The action research took place together with a group of head office space managers, producers, administrators, actors, teachers and the groups Finos Trapos and Coletivo Dasliliths. Thus, this research presupposes that knowledge from experience (BONDÍA, 2002) occurs in the relationships built between knowledge and human life, that the groups mentioned, through their production experiences, can collaborate with the reflection on a space alternative that occupies a mansion in the Pelourinho neighborhood in the city of Salvador, where their shows, training workshops, artistic residencies are produced and, in addition, they manage a collaborative store and still keep their affective memories, their history of occupation and also their years.