Dramaturgia de Chico Ribeiro Neto: cenas filológicas de "Em Tempo" no palco.

Abstract

This work was developed in the field of Philology in dialogue with other areas of knowledge, with the purpose of studying the dramaturgy of Chico Ribeiro Neto. From the documents which makes up the Chico Ribeiro Neto Collection (ACRN), and are parts of the Censored Theatrical Texts Archive (ATTC), we present the textual tradition of the three theater texts that form such collection, Branca de Neve e os sete anões, Prova Final and “Em Tempo” no palco, examining the processes of transmission and circulation of such texts within the scope of censorship. They were facsimile editions of the testimonies of the three texts, with an interpretative edition proposed in digital media only for “Em Tempo” no palco. A critical-philological study of the same text was carried out, focusing on the intertextual relations in the dramatic text in comparison with articles from the newspaper Em Tempo, which were the basis for its writing, through the synoptic confrontation between the dramatic and journalistic text. We seek to place, in time and space, the aforementioned press vehicle, considering the contents and nature of the ideology propagated in its pages, to bring the social contexts, cultural history of production, transmission and reception of the text of the theatrical play, highlighting the work of the playwright when selecting excerpts from the editions of the referred periodical to compose his text, reading, in a philological perspective, in the fabric of the textual fabric, the moment lived by the society of that time in the period of the military dictatorship. The censored parts presented in the theatrical text were also analyzed, based on the justifications of the reviewers and studies on press censorship and censorship of public entertainment. In this way, the texts were taken as testimonies of the historical period in which they are part.