Cia de Dança RobsonCorreia: terreiro de formação identitária para o corpo iaô na dança em Salvador

Abstract

This dissertation proposes a reflection about the trajectory of the Dance Company Robson Correia, over the past 15 years of the artistic activities, they have been bringing into an envairoment of identity and informative aspect for the dance and black people consolidating themselves in the cultural scene of Salvador. The research takes a path pointing out the scarcity knowledge regards African and aphrodiasporic that historically are absent in formal public institutions of dance education, making it impossible for the process of identity formation of black people in these spaces through this field of knowledge. Seeking to point out possible solutions to the installed problem, the study makes a reflexive immersion in unconventional spaces, sociocultural movements, subjects and subjects who, through their teaching and learning activities, bring data that make knowledge and practices of cultures subordinated by the dominant class visible. According to this perspective, the work evidences the teaching methodological strategies conceived and used in the formation process of the Robson Correia Dance Company, further expanding the possibilities of this formation centre. The Fan of Oxum from the perspective of the identity and conceptual construction of Corpo Iaô. Continuing the investigation, it seeks to enhance African ancestry in Bahia lands through the crossroads between Brazil and Togo. The path of the work shows the contribution of Cia de Dança Robson Correia as a Centre for the formation of blacks in society and as a result of the dancer / artist in the artistic scene of Salvador. To support and reference this study, I bring to you some and some Exúas and Exus: Siqueira (1998); Carvalho (2019); Almeida (2018); Brandão (2014); Gomes (2017); Falcão (2019); Sabino and Lody (2011); Conrado (2015); Eyin (2014), who i have to thankful for all the dedication and support through this beautiful experience.