Coreografias Coletivas para Grupos Inexistentes: características estruturais e procedimentos de difusão

Abstract

This research aims to investigate choreographic projects created to be classified by non-stable groups. In this way, it sheds light on two aspects: the structural characteristics of the choreographies and the procedures and strategies used by the choreographers in order to disseminate the proposed works. The context in which this research is developed, marked by the current phase of post-Fordist capitalism, neoliberal and connected by internet-based communication generated a flexible, precarious and project-organized way of working. It is understood that the choreography model studied in this research is inserted in this context and, therefore, has many of its characteristics, either as a response or as a proposition. Central notions as Choreography and Contemporary Dance are revisited from the concept of Shared Community, proposed by me, and derived from the concept Reflective Community (LASH, 1997) and associated to the understanding on the post-Fordist work model carried out by Pascal Gielen (1970). As a sample, the research focuses on the production of Brazilian artists Marcelo Evelin (Batucada-2014), Rita Aquino, Leonardo França and Felipe de Assis (Looping-2016), “GRUA - Gentleman de Rua (2002)” and “Cie. Willi Dorner, Austria (Bodies in Urban Spaces - 2007)” and it is based on my own choreographic production, having the notion of the author's choreographic experience as a privileged spot for observation. Therefore, it maintains a dialogue with eminently qualitative methodological issues such as the use of practice and experience, and takes the use of 1st person writing as an important tactic.