Resumo:
This research, developed through the cartographic method (Kastrup, 2009; Deleuze, Guattari, 2011; Rolnik, 2016), intends to reflect about ways of subjectivation and feminists approaches in three dancing artistics works produced by women, in 2020, in the context of the covid-19 pandemic. This three artistics creations were selected for integrate digital artistic-cultural events at that period. They are: “Instituição_Intuição” by Ana Pi, “Selfishcâmera” by Estela Lapponi and “E depois?” by Silvia Moura. The investigation is about the body that dances and its sensitives realities, in relations with its estetics, etics and micropoliticals creations, through the experience of inhabit the home space, considering the context of crisis: healthy, social, political, economic. The artistics works are studied through the concept of plans of composition by Gilles Deleuze and Félix Guattari (2010) and André Lepecki (2010), in relations with feminists approaches, according the studies of Donna Haraway (1995, 2023), Margareth Rago (2013), Conceição Evaristo (2017, 2020), Audre Lorde (2019), Virgínia Woolf (2022, 2023), and others. There were four plans of composition: acting, creating, caring and resisting. This investigation includes discussions about contemporary dances, based on Eleonora Fabião (2008, 2013), Rosa Primo (2010), Lúcia Matos (2011, 2014, 2021), Thereza Rocha (2014, 2016) e André Lepecki (2020, 2021). The research intends to approaches dance as a political action (Matos, 2011) and as a embodied action (Varela, 2003). Also, verifies the production of spaces of differences, for multiples ways of existence and creation, through singularities of each artistic work.
