Resumen:
This thesis narrates the construction of the poetics of a visual sound artist and researcher in the search for the interpretation of the object "noise", not only as sound or matter, but as a sensitive key to the continuity of her creative process in Sound Art, where this element reveals itself as a living metaphor of what disorganizes, deviates, challenges the visible and audible order of the world. "Noise” presents an insurgent presence, with meanings and purposes that go beyond aesthetics, populating spaces in Internet Art, camouflaged or coupled to the new technologies of Digital Art for the provocation of a continuous guerrilla. From the intertwining between noise, perception, social context and political positioning, a field of forces — where historical transformations reverberate from the beginnings of activism to the libertarian movements of art collectives — opens up to the conceptual neologism of artivism and the result is a more forceful and contemporary thematic production. Basic concepts and numerous relevant references such as Jacques Rancière, Manuel Castells, Paulo Raposo permeate this investigation that moves through interfaces and connections in networks in which we follow with Sergio Basbaum, Gilbertto Prado, Julian Assange, to experience interactive visual and sound catharses in the embodiment of the digital, explicitly revering the artists and theorists Diana Domingues and Rosa Menkman. Here we will see, above all, manifestos and artistic manifestations that build the ideology of noise as a message.
