Resumo:
This dissertation focuses on the theoretical-creative process of constructing a dramaturgy about
the life and work of the writer Zélia Gattai. Focusing on this writing, I seek to reflect on female
trajectories, continuing a personal tendency of theatrical exploration of protagonists from a
feminist perspective. The dissertation is organized into three chapters, the first being a tour of
what it is to write from the perspective of the author's place of speech; the second analyzes
Zélia's biography from an affective approach method of four works of her authorship:
Anarquistas, Graças a Deus, Senhora Dona do Baile, Memorial do Amor e Vacina de Sapo and
A Casa do Rio Vermelho. And the last chapter, in addition to containing the first treatment of
the dramaturgy under construction, presents a critical memorial of the creative writing process.
