Resumo:
The study entitled Voz narrativa feminina e metaficção historiográfica no romance Dias e Dias, de Ana Miranda, is the produce of the research that has like corpus the novel Dias e Dias, of Ana Miranda. This work has the objective of analyze the relationships between fiction and history present in the novel, taking into account trends in the postmodern novel in combining history and fiction, making possible the questioning historical truths. It also discusses how the historiographic metafiction may represent an open door to the discourse of female authorship through the female narration in the novel, based on the gender theories and approaches on the relationship between fiction and reality, ideas that deconstruct hegemonic and androcentric. Ana Miranda's novels have encouraged scholars, is the relationship it establishes between history and literature / fiction, is marked by the presence of women. The author of the novel performs innovative work with the building of character Feliciana, that while the narrator of the novel, acts as a biographer of the poet Gonçalves Dias, a story set in the nineteenth century. Documents bring the biography of the poet Gonçalves Dias, but Antonio (name chosen by the narrator to refer to it) is the result of the idealization of Feliciana.The first person narration contributes fundamentally to that effect. Querying White, Linda Hutcheon notes that history and literature are both "discursive constructs". Both historically and socially constructed, are statements that turn, serve specific interests and have in common, besides the fact it's speeches, the likelihood and intertextuality. The multiple perspectives deemed relevant by the post-modern theory allow the inclusion of women in literary history and his gaze between those who have the power to tell the story. So the woman has the opportunity to tell the story from their perspective, through their language, a place that until recently was occupied only by men.
