Hansen Bahia: um olhar sociológico sobre sua arte erótica

Abstract

A presente pesquisa situa-se na área da Sociologia da Arte, uma vez que faz reflexões sociológicas sobre as obras xilográficas do artista plástico alemão Hansen Bahia, interessando-se, principalmente, pelas representações sociais contidas em sua criação plástica erótica. A pesquisa compreende a obra de Hansen enquanto xilogravura e a sua relação com a obra de Jorge Amado, preocupando-se, sobretudo, com a relação da arte com os fenômenos sociais, no caso específico do artista pesquisado centra-se sobe uma leitura plástica das principais obras hansiana, produzidas entre as décadas de cinquenta e setenta do século passado, que apresentam como aspectos unificadores de sua composição a corporeidade e as condições sociais da população marginalizada de Salvador, residente do centro histórico da cidade, criando um paralelo entre sua estética e os textos amadianos.This research is located in the Art Sociology of the area, since it makes sociological reflections on the woodcut works of the German artist Hansen Bahia, interesting, mainly due to the social representations contained in its plastic creation erotic. The research comprises the work of Hansen as woodcut and its relationship with the work of Jorge Amado, concerned above all with the art of grating with social phenomena in the specific case of the artist researched focuses rises a plastic reading hansiana major works produced between the decades of fifty and seventy of the last century, which have the unifying aspects of its composition corporeality and social conditions of the marginalized population of Salvador, resident of the historic city center, creating a parallel between their aesthetic and the amadianos texts.

This research is located in the Art Sociology of the area, since it makes sociological reflections on the woodcut works of the German artist Hansen Bahia, interesting, mainly due to the social representations contained in its plastic creation erotic. The research comprises the work of Hansen as woodcut and its relationship with the work of Jorge Amado, concerned above all with the art of grating with social phenomena in the specific case of the artist researched focuses rises a plastic reading hansiana major works produced between the decades of fifty and seventy of the last century, which have the unifying aspects of its composition corporeality and social conditions of the marginalized population of Salvador, resident of the historic city center, creating a parallel between their aesthetic and the amadianos texts. Key words: Hansen Bahia, Woodcut, Eroticism, Art Sociology