HIBRIDAÇÃO BAIANA: UM OLHAR SOBRE O DIÁLOGO ENTRE A MÚSICA DE CONCERTO E A MÚSICA DE CANDOMBLÉ JEJE OU NAGÔ NA EMUS-UFBA

Abstract

This work is the result of research in the field of musical composition, which analyzed the process of musical hybridization between concert music and terreiro music, from the Jeje or Nagô nations, by composers who became composition teachers at the UFBA School of Music, from its foundation until 2020. Based on Paulo Rios Filho's dissertation, “Cultural Hybridization as a Methodological Horizon for the Creation of Contemporary Music”, we then looked at its artisans, their strategies and processes, as well as the possible changes over time; the disciple-like nature of the transmission of knowledge about cultural hybridization; in addition to the approach of the teaching program of that discipline followed today, regarding music linked to terreiro. In addition, three pieces were analyzed: by Jamary Oliveira (Ritual e Transe), Paulo Lima (Atotô do L'Homme Armé) and Alexandre Espinheira (Oxogbô); as well as the production of a work, lasting approximately 30 minutes, for power trio and orchestra, based on what had been observed and learned.