Poéticas encruzilhadas: José Craveirinha, Solano Trindade e GOG

Abstract

This paper aims to reflect the extent to which the poetics of José Craveirinha, Solano Trindade and Genival Oliveira Gonçalves (known as GOG) claim discursive places that mark a literary identity that runs themes not as established by traditional literary studies. Thus, a book will be reviewed (but not all poems) of each author, namely: Xigubo, Anthologies Poems and Rima Denounces respectively. It can be said that the relations between literature and society foster speaks of places whose representations always signal power relations. Also, think about the production of these poets means tension consecrated conceptions of literary and make the political role of the writer in relation to the discussions on national identity and the deletion and/or folklorization the black image. There is interest here to think about these texts and their possible aesthetic signs, as well as how the language in them sets up body as a mechanism of identity expression and ancestry. These authors evoke discursive places that historically have been deleted by the colonial process, which further enhances the interest of this research to confront the injunctions strategies used by the writers here referred to escape the evil colonial heritages that produces in the Diaspora which Fanon calls mental slavery. Thus, it is expected that the exercise proposed here works as an epistemological challenge, literary and political, so that ethnic and racial studies and the teaching of history and African culture and Black-Brazilian are increasingly deepened.