Morrissey: a arte de ser fã e de criar fãs

Abstract

This work discusses fandom, aiming to show how the work of the fan is constituted of an active exercise of meaning production, unlike other popularized notions mostly compromised with prejudice and stereotypes. The fans, involved in social activities regarding their fandom, are producers of a varied amount of materials, such as critical texts, academic texts and a large range of artistic productions. Taken as a suitable example to the new approach regarding the studies of fandom, Morrissey is not only a significant contribution to the analysis, but his production also helps to expand the discussion of the theme at stake. As a fan himself, and as an idol too, Morrissey produces an extensive discoursive material that allows him to think the world and the things with the support of other voices, transforming and assimilating his previous readings in a new text with its own meaning. This action defines what is described as the productive function of the fan, moving him/her away from the passive role attributed to him historically and putting him/her as an active character. Besides, Morrissey's production also theorizes about the construction of the artist's body that is profoundly connected to the exercise of fandom.