Quadrilha junina luar do São João – Teresina Piauí: rastros em trânsito de um fazer quadrilheiro

Abstract

This work entitled "Quadrilha Junina Luar do São João – Teresina/Piauí: traces in transit of a quadrilheiro making" is the result of a process and requirement of the Professional Masters Course in Dance (PRODAN), in which there is a relationship of the researcher, directly involved with the object. A study on the espetacularização, BIÃO (2007), and the June making of the Luar do São João Quadrilha in the city of Teresina, capital of Piauí. The intention is to approach the cultural manifestation in a comprehensive understanding, considering this dance group, typical of the so-called "popular cultures", from its structure as an organization in the "maintenance of cultural tradition" typical of festas juninas. The interpretation that Is launched on the experience of square band groups Is not focused only on Its festive and cultural dimension, but also, in Its character as a social, ancestral group, identity that Is built in territories from the action of the social actors themselves who make up the environment in which they are inserted laughed. This investigation began in 2020 through the Professional Postgraduate Program in Dance at the Federal University of Bahia (PRODAN/UFBA), where I have been developing research on the Juninas squares, the implications for artistic and pedagogical processes in dance and their reconfigurations in contemporaneity. The subjects studied expanded the research based on references, connections, influential points and their consequences as intellectual productions, reflections and affects on the content offered, which contributed and contribute to my trajectory as a researcher-player in the relationship with the object of research, which Is mainly involved teenagers, young people and adults in social vulnerability in the city of Teresina – PI. Such reflections dialogue with the concepts of the quadrilha junina dance by CASTRO (2012), CHIANCA (2006), PAULA (2020), MENEZES (2012); identity and ancestry from MACEDO (2001), the notion of bodily knowledge and concepts of popular cultures, from ABIB (2019); spectacularization of CARVALHO (2000) in the light of the studies of spectacularity based on ethnocenology by BIÃO (2009) and others. The result of this research process and the conclusion is given by the memorial that addresses the contributions that involved the trajectory as a Master's student in the aforementioned Postgraduate program, in dialogue with my professional actions as a teacher, researcher, and cartoonist and the production of the video- documentary.