Máquinas de guerrilha :lirismo cruel e novo realismo em Amar é crime, de Marcelino Freire

Abstract

The text that follows has as its starting point to reflect on what is aesthetics of war (in a broad sense) in Love is Crime (2015a), by contemporary writer Marcelino Freire, emphasizing how the fictional and political procedures, in the collection of short stories cited, make up a war machine through a critical exhibition about reality. The appearance of another form of realism in current literature (the tension between art and reality) will also be a crucial point for discussion. Some allies will be important to help with the issues raised, such as Schollhammer (2009), Rosset, 1989), Hardt and Negri (2005), Pelbart (2009), Deleuze and Guattari (1997), Barthes (1984) and Jaguaribe (2007), forming a bond of friendship between the philosophical, aesthetic, political and sociological fields to enter into what this production of reality and wars would be through the way of inventing subjectivities through literature. Criticism, the construction of a new reality, brutality, and biopower are issues that will help to understand the escape lines created by the characters of Freire, to invent other ways of life (the war machine). In this way, investigating how the guerrillas devised in Love is Crime produces a disorganization in power.