Resumo:
This text explores artistic practice based on a trajectory and experiences that focus on a
discussion in/about Group Theater and Creation Processes and access to theatrical
dissemination spaces. Upon entering the Regional University of Cariri, I came across the
region's effervescent theater scene, particularly fascinated by the Coletivo Dama Vermelha,
of which I have been a member since 2016. In this context, the research in question
proposes a historiography of the creative processes and trajectory of the aforementioned
collective, focusing on its first decade of activity. Using an autoethnographic approach, I
explore the strategies adopted by the group to face challenges and consolidate its presence
in the Cariri theater scene. Furthermore, the study promotes a critical dialogue with the
practices observed, contributing to the recording of group theater in the interior of Ceará.
