Souza, Gilmário de; https://orcid.org/0000-0002-5309-777X; http://lattes.cnpq.br/5887211424505651
Resumo:
Through a series of essays and notes, I present a comprehensive approach and
multifaceted reflections on the learning process of the theater teacher. Throughout the
writing, I reveal the investigation: how does awareness of [trans]formation and self-
[trans]formation develop in drama teachers, and how does this phenomenon establish
relationships with artistic-pedagogical approaches during professional practice? In this
sense, this research sought reflections anchored in the investigation of my own
practice, as a teacher/researcher/artist, and in the investigation of the experiences of
graduates in Theatre from the Federal University of Bahia and of female Theatre
teachers from public schools in Salvador, participants in the Institutional Program for
Teaching Initiation Scholarships-PIBID in Theatre. These stories, practices and
experiences were the objects of investigation, sharing and analysis. The means
chosen to generate data were narrative interviews with a supervising teacher and a
former PIBID-Theatre student, questionnaires with fifteen graduates of the UFBA
Theatre degree program, and the analysis of documents such as reports and plans on
the UFBA PIBID Theatre blog. The research focuses on the following main axes: Public
Policy, Memory, Life Narratives and Autopoiesis. These axes are examined through
an interdisciplinary lens, which benefits from the contribution of various areas of
knowledge, such as Politics, Social Psychology, Social Memory, Theater Education
and Biology. The notes and essays, constructed from a non-Cartesian epistemo-
methodological perspective, are independent and do not follow a canonical academic
structure, thus allowing for a non-linear exploration. However, together they converge
harmoniously, enriching the understanding of teacher learning as an intrinsic
characteristic that manifests itself in professional practice. The research offers an
enriching perspective on the role of the drama teacher and their own practice, the latter
as a foundation for the continuous evolution and improvement of their professionalism,
encouraging reflective teaching and the rediscovery of self.