A atriz & o duende: a singularidade vocal – da pedagogia à composição cênica

Abstract

This is a practical-theoretical research in the form of a thesis whose object is the scenic composition based on a work centered on the interpreter, and proposes as its main axis the investigation of the vocal singularity and the voice integrated to the expressive elements of the actress and actor. Through exercises, it brings critical-creative reflections, aiming to contribute with professionals and amateurs interested in experimenting with practices that focus on the expression and uniqueness of the voice. The researcher is methodologically inspired by the Artistic-Comprehensive approach proposed by Sonia Rangel and integrates in her central dialogue the thought of artists and theorists such as: Antonin Artaud, Clarice Lispector, Federico Garcia Lorca, Gaston Bachelard, Jerzy Grotowski, among others, summoned in and by the process; being the nature of the steps reflected in configured Principles and Procedures, belonging to the specificity of theatrical making itself, therefore of the very time of its happening. The Principles of Deep Listening, Presentification, Vocal Estrangement and Composition Autonomy stand out. As a result of the research in response to the passport-question “how the expansion of the voice awareness integrated with the body-emotional-image aspects of the performer can collaborate and flow out (make it come out of the mouth) processes of creation, staging and scenic dramaturgy?”, the thesis points out artistic-pedagogical paths for the vocal investigation of the actress and the actor.