Sonoridades do cinema brasileiro contemporâneo: um estudo sobre as bandas sonoras de filmes que receberam prêmios de melhor som no Festival de Brasília (2012-2019)

Abstract

This dissertation has as its object of study the sound of contemporary Brazilian film, taking as its corpus of analysis eight works of fiction successively winners of the best sound award at the Festival de Brasília do Cinema Brasileiro (FBCB), namely: Boa sorte, meu amor (Daniel Aragão, 2012), Exilados do vulcão (Paula Gaitán, 2013), Brasil S/A (Marcelo Pedroso, 2014), Fome (Cristiano Burlan, 2015), Rifle (Davi Pretto, 2016), Era uma vez Brasília (Adirley Queirós, 2017), A sombra do pai (Gabriela Amaral Almeida, 2018) e A febre (Maya Da-Rin, 2019). The research's theoretical and methodological framework is based on authors such as Aumont and Marie, Bordwell and Thompson, Carreiro and Alvim, Casetti and Di Chio, Chion, Costa, Opolski and Zavala Alvarado. The objective of this work is to analyze the sound of each of these eight films to answer two questions: what are the sound strategies employed in these works awarded by one of the most important instances of consecration of Brazilian cinema? And is it possible, based on the immanent analysis of this corpus, to detect recurrences that point to aesthetic and/or narrative trends with regard to the sound of recent Brazilian cinema?