A clarineta na música de Liduíno Pitombeira: identificação de obras e análise da suíte hermética, para quinteto de sopros

Abstract

The present work was produced during the Professional Master's Degree in Music of the Federal University of Bahia (UFBA), in the area of musical performance, contemplating the Memorial; the Article with the analysis of the Hermetic Suite - for wind quintet, by Liduíno Pitombeira and the identification of the use of the clarinet in his work; the Final Reports and the Final Product. In addition, the following will be presented: the biography of the author; the results arising from the contributions of the master's program to the research; the supervised professional practices; productions; and the final considerations. The objective was to analyze the play, Suite Hermética, to contextualize the life and work of the aforementioned composer, to identify the compositions where the clarinet is used, to point out the modes used, and to contribute to the dissemination of the work of Pitombeira. Through interviews with the composer himself, it was possible to have access to information about his works using the clarinet and more precisely about the quintet. With the identification of the works for the instrument, the appreciation and production of this composer is perceived. As a final product, the phonographic record of five pieces for Pitombeira's clarinet was made: Rigel, a solo piece dedicated to the author; Japan, duo for clarinet and Euphonium (unpublished work); Ventos Tejaños, trio for clarinet, oboe and bassoon (compositional model, Systemic Modeling); Landscapes No 13, for clarinet quartet; and, the Hermetic Suite, for wind quintet.