Aspectos técnico-interpretativos da colaboração pianística na execução de reduções orquestrais de concertos para instrumentos de metal

Abstract

This final conclusion work presented to the Professional Graduate Program in Music (PPGPROM) of the School of Music of Federal University of Bahia (UFBA) includes the memorial, the final reports, and the final product. These documents elucidate the recording process of orchestral reductions for piano of concerts and brass musical works. The article titled “Paulistanas Identities” describes a concert performed by this author at Ema Klabin Museum House and it explores the process of repertoire organization and the challenges involved in its performance on the centenary Érard Piano, showing multiple roles of the professional pianist and presenting an authorial work of a soloist and collaborative pianist. The musical pieces included in the final product have been selected based on the analysis of repertoire required in auditions for brass instruments, in Brazil and around the world. The main aim of recording and discussing about this practice is to register the interpretative and technical process and contribute to a high-level performance of orchestral reductions. Additionally, the observation of this practice may optimize rehearsals involving both instrumentalist and pianist.