A linguagem do violão Bossa Nova na obra de Aderbal Duarte: uma síntese de elementos essenciais com ênfase na condução rítmica

Abstract

This Final Conclusion Work is composed of: a Descriptive Memorial referring to my trajectory in the Professional Graduate Program in Music at UFBA (PPGPROM); a Scientific Article on the topic of my dissertation (The Bossa Nova Guitar in the Work of Aderbal Duarte); a description of the Final Product of the research presented (EP Saravá Mestre Aderba!); and the Report of Supervised Professional Practices attended. This work is justified by fulfilling the requirement to obtain a Master's degree in Music in the area of Musical Creation and Interpretation, and aims to gather and explore the essential characteristics of the "bossa nova guitar", guitar language and term synthesized by the maestro, guitarist, composer, researcher and educator from Bahia, Aderbal Duarte. This language has as its main aesthetic reference the work of the artist João Gilberto, as well as other Brazilian guitarists such as Dilermando Reis and Baden Powell. In addition to collecting biographical information about the composer, describing essential technical and aesthetic elements, 4 works by Aderbal Duarte for solo guitar will be analyzed, emphasizing the identification of the rhythmic cells described by the composer as fundamental in this language, as well as their variations and creatively handled fragments in the composition of the rhythmic guitar conduction. This work seeks to provide relevant information for guitarists, guitar lovers and Brazilian popular music lovers, detailing successful interpretive paths and providing elements for a potentially richer creative practice in terms of references.