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dc.contributor.authorBrandão, Paulo R. B.-
dc.contributor.authorChristian, Brannstrom-
dc.creatorBrandão, Paulo R. B.-
dc.creatorChristian, Brannstrom-
dc.date.accessioned2018-06-29T11:46:42Z-
dc.date.issued2012-
dc.identifier.issn0016-7428-
dc.identifier.urihttp://repositorio.ufba.br/ri/handle/ri/26271-
dc.descriptionTexto completo: acesso restrito. p. 465–485pt_BR
dc.description.abstractGeographers have recognized that trade fairs and other temporary spaces function as centers of knowledge, but we have a weak understanding of how fairs are themed spaces, similar to parades, festivals, and built environments, that produce cultural and political meanings. In this article we analyze the morphology, iconography, and performance of a large agricultural fair in Brazil, the Bahia Farm Show, which produces a regional identity of highly productive, leading-edge, and globally competitive agriculture in a former economic backwater. We discuss the production of themes in terms of power relations, cultural processes, relations with nature, and sociotechnological norms for agriculture. Omissions from the Farm Show indicate tension and accommodation between elites at different geographical scales. Brazil's high-input, high-output agriculture relies in part on the meanings that events such as agricultural fairs sustain and reproduce.pt_BR
dc.language.isoenpt_BR
dc.rightsAcesso Abertopt_BR
dc.sourcehttp://dx.doi.org/10.1111/j.1931-0846.2012.00170.xpt_BR
dc.subjectAgriculturept_BR
dc.subjectBrazilpt_BR
dc.subjectCulturept_BR
dc.subjectThemept_BR
dc.subjectTrade fairpt_BR
dc.titleTwo hundred hectares of good business: Brazilian agriculture in a themed spacept_BR
dc.title.alternativeGeographical Reviewpt_BR
dc.typeArtigo de Periódicopt_BR
dc.identifier.numberv. 102, n. 4pt_BR
dc.embargo.liftdate10000-01-01-
dc.publisher.countryBrasilpt_BR
Aparece nas coleções:Artigo Publicado em Periódico (ICADS)

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