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dc.contributor.authorNascimento, Marcio Luis Ferreira-
dc.creatorNascimento, Marcio Luis Ferreira-
dc.date.accessioned2015-11-25T14:22:34Z-
dc.date.available2015-11-25T14:22:34Z-
dc.date.issued2016-01-
dc.identifier.urihttp://repositorio.ufba.br/ri/handle/ri/18289-
dc.description.abstractMusic critics have compared some classical music like that from Bach to the precision of mathematics. Mathematicians disagree on a precise definition, but a fractal is typically described as exhibiting self-similarity, which means identical (or nearly identical) patterns appear, whether the shape is viewed from up close or far away. That is, the part looks like the whole, and the whole looks like a part. However, identifying fractals in music requires a different approach than seeing them in an image. The purpose of this short note is to suggest that Ave Maria of Bach/Gounod could be related to mathematics, at least in part (or just viewed), as a sound example of Mandelbrot’s fractal geometry, due to its simple self-similarity on melodypt_BR
dc.language.isoenpt_BR
dc.publisherMathematics in Schoolpt_BR
dc.rightsAcesso Abertopt_BR
dc.sourcewww.m-a.org.ukpt_BR
dc.subjectMusicpt_BR
dc.subjectMathematicspt_BR
dc.subjectBachpt_BR
dc.titleAve Maria, fractals and mathematicspt_BR
dc.typeArtigo de Periódicoen
dc.typeArtigo de Periódicopt_BR
dc.description.localpubUnited Kingdompt_BR
dc.identifier.number35, p. 22-23pt_BR
dc.publisher.countryBrasilpt_BR
Aparece nas coleções:Artigo Publicado em Periódico (PEI)

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