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dc.contributor.authorOliveira, Alda de Jesus-
dc.creatorOliveira, Alda de Jesus-
dc.date.accessioned2013-11-18T21:06:21Z-
dc.date.issued2005-
dc.identifier.issn0255-7614-
dc.identifier.urihttp://repositorio.ufba.br/ri/handle/ri/13714-
dc.descriptionTexto completo: acesso restrito. p. 205-216pt_BR
dc.description.abstractThe pontes (bridges) approach may be viewed as a teaching guide for action in music education. It may help music teachers to articulate the different aspects that surround the teaching–learning process, especially those related to cultural interfaces, such as: the student’s personal characteristics, the elements and essence of the sociocultural context, student’s knowledge and previous musical experiences, and the new knowledge to be learned. The pontesapproach implies significant musical encounters between the student and the music. Pontesrelates to: positive attitude, observation, naturalness, technique, expressiveness and sensibilities. This article is based on the partial results of a study about the music pedagogical knowledge of the masters of musical oral traditions. It is organized in two sections: (a) the theoretical basis for the proposed practices; and (b) specific examples for the use of pontes.pt_BR
dc.language.isoenpt_BR
dc.rightsAcesso Abertopt_BR
dc.sourcehttp://dx.doi.org/ 10.1177/0255761405058233pt_BR
dc.subjectFormal educationpt_BR
dc.subjectInformal educationpt_BR
dc.subjectIn-schoolpt_BR
dc.subjectMusic teachingpt_BR
dc.subjectOut-of-schoopt_BR
dc.titleMusic teaching as culture: introducing the pontes approachpt_BR
dc.title.alternativeInternational Journal of Music Educationpt_BR
dc.typeArtigo de Periódicopt_BR
dc.identifier.numberv. 23, n. 3pt_BR
dc.embargo.liftdate10000-01-01-
Aparece nas coleções:Artigo Publicado em Periódico (Escola de Música)

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