Epifanias: interfaces para paisagens ficcionais

Abstract

This thesis aims to expose the creative process of the research Epiphanies: interfaces for fictional landscapes. In this, photography is used as a mode of production and fictionalization of real space from the sensitive experience of being in it. Therefore, Jean-Marc Besse's (2014) concepts of psychogeography were applied in order to build a photographic scene that intersperses the natural landscape with objects created in a studio. Furthermore, Gaston Bachelard's ideas on topoanalysis are used in the construction of this work, as methods for the formation of works that reveal an intimate dialogue with the natural elements of the open landscape. These concepts, combined with an experience with the environment, made it possible to understand the displacements and walks through different places in Salvador and in other cities in the interior of Bahia, making it possible to understand photography as a mixed reality, a concept by Serge Tisseron, for whom the image photograph is interpenetrated by both an objective reality and fiction. Thus, this virtue was applied to compose a mise-en-scene in which the body's senses and the camera operate in the production of an imaginary world, and where phenomena and subjectivity are consubstantiated.