Resumo:
Through the analysis of the Dance with Me (2018-2019), Putinha Terrorista (2018) and Ordenha (2020-2022) performances, from Élle de Bernardini, Lyz Parayzo and Nídia Aranha, respectively, this Final Degree Work has a general goal of exploring the way those pieces are being musealized through their circulations in museologic circuits or art circuits. Each section corresponds an specific goal from the analysis, divided in: comprehending the occupation from trans iconography in memorial places or museums throughout history; presenting and analyzing the pieces previously mentioned; and investigating the musealization process from the presented performances, making a connection with other trans performances that were selected and researched. The argument is based on qualitative and exploratory data search from texts, interviews, articles, websites and art works, making a methodological statement that there are few performances from trans and transvestite artists in museums, especially if the pieces questions gender roles or trans existence in society and in the art system.
