HIBRIDAÇÃO BAIANA: UM OLHAR SOBRE O DIÁLOGO ENTRE A MÚSICA DE CONCERTO E A MÚSICA DE CANDOMBLÉ JEJE OU NAGÔ NA EMUS-UFBA

DA ROCHA, Victor Hugo Chaves

DSpace Home
→
Escola de Música
→
Programa de Pós-Graduação em Música (PPGMUS)
→
Dissertação (PPGMUS)
→
View Item

dc.creator	DA ROCHA, Victor Hugo Chaves
dc.date.accessioned	2025-07-21T10:20:29Z
dc.date.available	2025-07-21T10:20:29Z
dc.date.issued	2025-02-19
dc.identifier.uri	https://repositorio.ufba.br/handle/ri/42555
dc.description.abstract	This work is the result of research in the field of musical composition, which analyzed the process of musical hybridization between concert music and terreiro music, from the Jeje or Nagô nations, by composers who became composition teachers at the UFBA School of Music, from its foundation until 2020. Based on Paulo Rios Filho's dissertation, “Cultural Hybridization as a Methodological Horizon for the Creation of Contemporary Music”, we then looked at its artisans, their strategies and processes, as well as the possible changes over time; the disciple-like nature of the transmission of knowledge about cultural hybridization; in addition to the approach of the teaching program of that discipline followed today, regarding music linked to terreiro. In addition, three pieces were analyzed: by Jamary Oliveira (Ritual e Transe), Paulo Lima (Atotô do L'Homme Armé) and Alexandre Espinheira (Oxogbô); as well as the production of a work, lasting approximately 30 minutes, for power trio and orchestra, based on what had been observed and learned.	pt_BR
dc.description.sponsorship	FAPESB	pt_BR
dc.description.sponsorship	CAPES	pt_BR
dc.language	por	pt_BR
dc.publisher	Universidade Federal da Bahia	pt_BR
dc.rights	Acesso Aberto	pt_BR
dc.subject	Música	pt_BR
dc.subject	Composição	pt_BR
dc.subject	Candomblé	pt_BR
dc.subject	Hibridação Musical	pt_BR
dc.subject	Bahia	pt_BR
dc.subject.other	Music	pt_BR
dc.subject.other	Composition	pt_BR
dc.subject.other	Candomblé	pt_BR
dc.subject.other	Musical Hybridization	pt_BR
dc.subject.other	Bahia	pt_BR
dc.title	HIBRIDAÇÃO BAIANA: UM OLHAR SOBRE O DIÁLOGO ENTRE A MÚSICA DE CONCERTO E A MÚSICA DE CANDOMBLÉ JEJE OU NAGÔ NA EMUS-UFBA	pt_BR
dc.title.alternative	Bahian Hybridization:: a look at the dialogue between classical music and and jeje or nagô candomblé music at EMUS-UFBA	pt_BR
dc.type	Dissertação	pt_BR
dc.publisher.program	Programa de Pós-Graduação em Música (PPGMUS)	pt_BR
dc.publisher.initials	UFBA	pt_BR
dc.publisher.country	Brasil	pt_BR
dc.subject.cnpq	CNPQ::LINGUISTICA, LETRAS E ARTES	pt_BR
dc.contributor.advisor1	ESPINHEIRA, Alexandre Mascarenhas
dc.contributor.advisor1Lattes	https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4267544P8&tokenCaptchar=03AFcWeA5Mr_uEny5-rE7BoFa9f7dmdaPaqvYX-7Erkpv5VaR5_bPDn-Kf3NA1qTFBDn07iTowPOWZ5Vaicw92I9L-pgsHi9AknmMChN39ojt0T-iPLVXbCHw8BACRZZLE9TWb3GewWvEG5y70Z5cyy-s7_SnXszRsyGIsq9uZv2jjjH2246zAIL5MaTQQi2iXAg4B87Sjg2o2WuYLlw2MRMNh0ihEldk9494ToOtRlDxRopzbmjFaz3Tn46I0Cy9qm0F3Es9DhzA_jdki6ynHhlJd1g7zVEyKYK0_AptjrWzlSRMRprqTpwd2NLjmbRcEzD3hR-SnhSJvoFFHBVrm3VgV72Cpi1_mBz2YoNAyyX639IQns9NzUDU0kPwOMjRjJsBDJ9Ry17ZE_tSbHo4Jd9je_bKx_CW_e6pAzfxgowkScNfXD3a9Ghkv-xVG9ZGGVPRRkIqdHLUMxVsTmXqBakKMLPSC-Ea5GCAkv2QlM6ZPI5mqVK0DPRcFEJdVhGie90VgdzjspKQ_X4OiNHxfXTvuanXsAFqsNAxuob6q1u5AN-xJXJkkOcdou6xcW-FBwPA1zykT2FDLucHxptgFLHdILhb7AKj0qzizMCp-NJ15WjUbKiBVThk6QguHza5-bDbvrn-yBIwgqlsrtgIwwHG3-mtOLabr20auq-xfSaSJapUd_QM6KrXFJHWbC79ndJ3sXwf-kdmTEnoiAdAyQcCSGfXUcEdMixTuemyrpHE1utDJ0rrtBJdV9MIgsyifsead0B9P_5eJCd4705iZ71j3vST4BKnta0ZyVeZq-jnpY_smTvs514iBsHklvRHvZ5U-4sk4n6XM2WCirSpxqk99mqY9Q5hsG7-XCN5_4ZWk0fYIDlORqxezlS4jeD_Bv1qxwnNQ1-gwJyYYKZAKFXyYlgXrrupYn-v3OoGys7vnElFKASa-O7e2HKzf2hIudxWX_pQoqCD5-EFq-Cr_2YS1BJX3eXv4B-1jIeeguYm69AK6u2O2GMNi8oKck1AO571WYq99amSGLnQoqjGHjVQyGaUUVlkBtw	pt_BR
dc.contributor.referee1	LIMA, Paulo Costa
dc.contributor.referee1Lattes	https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4788037Z8&tokenCaptchar=03AFcWeA7zBXbyRPfNtVY0dM7X71fx1s-QpmJxCj0HxkrDu77x6JPuNSHWHRKMi4m809QVoqpHE3IgktfZq0mmzzyTaQpwnzMkIVggJJrtJZo1yeqDGxTZ8466cELTREEdRvTigOB5WENtwf0lZROny4TM31ckPoHqeFUXOH8rfVbXbgGk0KhaIuz4EPfWqs-mv4QhtOTYiVmH3i50rVpv7aeQso3RaHZt2YxdVg0OF-wlWqOjwCRKNdxJJ38sZkQ-l4EPsEnBEojXu8fNYQPxFURYcHajFDmN6NdhCcYJuVdn-kKdkFVx29AW1Im57-jm2w52urwbnV7n9DdwMcIT1Z8y3TOXGgnt3cGA-V_w52fXUwPMPy__pI0boLpMV3FjhPoJyu-F14_zV1JwXZ4N5Y5PIYae74BDK_b5mDuWhhU5WLayMY8SG-a5oShI2Bj25xUExL5_GozH35VsZEN-edA3HptxRCDT4ZhrnKiK2-niheNbv9p0jbW8J3M2lehKdt1EdwYxNEhutKCFcKzLUfclx39PUdetf4lsEjepg8w_b2eefEWi61Dy_UxliETBGLgTyioYvBbBaQrEWNx05cOy2pWxjkSsk8gsV_UVtmztUb-lunrSECVN95jbLPO0_SGHbD8ugl24jbVaQNkoaZnHL273pTGWMTHnIVTSKDoAfaE8YpnHscqSVoCcDvI7x51GCgoZ4Num9LukJp4ZNVIFkKZIk4oTgXPN8SlZOQk6qTw_ugpe6M-LO-uS65oMkthS2TCGkQzuAyion3M55WDDHFiSbzy6u8Z4DSBPcMx2xeOEHjFyDBvKJvbLzkuV75a6RKQeY_ISveoic2Osg1Jm1bZLvf8p-Hi7EXxfye1M7T6Vl3hK1nQY1bHtMv7Es5sR0COI1HLoSVG7Nh-z7aA-cw-u3bXOOhK3zVAOyB8L0EW5pT862JU9pu0XhouANzJnfhpFPVX0123Dxi03zBHRQzXhuQl1l__JbNKdHmAfpqr6Ouf2DdGhhNLdU31xElqZ0nFp3lctgWURVU1LhZrl_7Lip6lzOQ	pt_BR
dc.contributor.referee2	RIOS FILHO, Paulo Oliveira
dc.contributor.referee2Lattes	https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4710951E2&tokenCaptchar=03AFcWeA7qRaAjUt4vqSsXbzlv5wUEUFKoIessgpy9TZlGLZ0ZllyBWvXfM1578HFJr59tEs4ebyo7-JmoaGwn2U02-cmenaxUhZSyUKXcji4GZcPNxvYJtH6DdhsvcC4Vi_FB8W3-blfgRIlNoOVx3z3laayck3Is_U-I0t_rpSimBM7tB7-7uUbB7nmd1hgloThlJmoRTqlb1Ko47MIQ_Y5Nv8J8A1QStudRm7EbWZa_ljRJvgOFKZN09__GdYSg0HEEcxk3wedLdCRelZNzMKEg9bfGCvKkwxslXVVjL_tAzMPiZgzeOW2wSjoRdYywaynsjKvPKHhpJX8zieEDeHl_4VkRaIdVz272Zzyxi2E3VsysIakPIuw0Ry_PTlmnz0ZhU6KYwXxSy3vjtVBy4jdFUBSeqCocg1o3G1N_tolkUftuITaY7wDHo0SjROeffJ-TgNvXMrEvkzTKyjAjMnUvoqaNIPtLwGHQQfrmo4R6-Ubm1pJo4Bp1GXQtJGLs5rm9BMG7A7EOHGoiZzzpDw2ecNI8inNDBnLsUM99njIPoEvp_gJnjgPhfNBRNbliyOtlEzkm4aPbYa3woujhdnN_CMNlBfmhwIAFwjMwrkaxiTvfEZD4n0gsGvlLlMlC8mzjij-ufGHHGDQKz416AKuMfTr8ZPJ8jeExfO3H-nVeAzpBP9H8jKBGBRwltEDMy7KlcI40p7oCUfO7oHUiuYej9X7Lo0XuGMAbbdqUL9nu0sVcKS0K48vF7S-bY8QmMZNTsBrjkUqVxlheCZomfs7kRQLmKXmBcqBbioZplyxc93OWNkRw3Z-hXQ3wGONet00XB-bN5CyMW9vE8cQvmryjS6Ydt11wBxTdDMA_9ex7oY-sj_pEK0iS-BHZAlcPpLihwSAjcyXFQJDlA66_z4N4m27_UwG1ABVnQ6fpvG22dSMJa4KIWx-VxnhHLEn1Wp_NosyQG6-GqV9nBUkfwGEMxbfUx1WhjntVOjUUO6zurdwbhra13McoC415YiDXZ-7NvoslYQByQDvlCwGqxA9lPDScqXKXyw	pt_BR
dc.contributor.referee3	ESPINHEIRA, Alexandre Mascarenhas
dc.contributor.referee3Lattes	https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K4267544P8&tokenCaptchar=03AFcWeA7k24afwEI-vc1jyGPmcDjnseJWeMH15fzdcOfcWbRGcQ5Vwb7ixuRRhZZCy-D9hKy3YfsMSr6fHRZppo9S19klgcmA7BUNIkwBorn_OtIl8iL1AiJTs6aCcHjUmoPqgjDCvUf12p-IwoPa09jjPf9MywUNa10iqzaKJE7emV0GtONGJZWKCVZ1l_kXp_ppoD3TWYX-nhFYsr4l1yUGslSLl_NNfJR_b2HXjUIm5iycE9dg-O25SQ0BTdWHXwqmV7ItAcJm-pDO78LnbI9lghqCz5Wgn8UcZPkPsy6wrklm0JeK8Jnn22KANnS9Nv0QJf4weCyFdHxZ_UqnJzQGb--W52mc-rbYf2ebBYbkmnVgjZCgKavc35L5zG5VUl0dMIFGuMN21CeWaWI1e1fOIqrcA6D1hIvkfWb0XdiDeAQ2DAk6odIM0awka5xzw8QU3uOj1Jis0t_bpErGWtsUC1zhvLbYAWl9BjcrFh3jPijM1MrIAWbYgYlXIuLPx9Ed4UBPMLJcOZTM3D6mo8zh7OTDIDKkU69UVznneoPBcpvIqJ9ZZDPzsBkB0TaCP4_UT8eKYo10cefRlDyMpgl1KHRGqINdfysUjGhpfsGPKzVKJrZytqN6wf2hXD7wRy-jBTnKISXKMkFjGKCVlmG7FT1pMxpyERHP1AUErJMvvvcunf4KOPG-rchMlv6lqqloIeb6pSgTGiGc4o-Ttn10AyWYLjuFe4V7JpEnbF_TrEhFPcyOCZJ5AxS2noUQtbE2XdiK4GywyD91u0E-HqZXTXMXDurzPeKXZbxn9ZCorD4F0wWkqY6fPyF1rcY7xTLphWeg1I5edJOlXl7WBC7Vp5x96bQmlshzZjcwZ5ASr5Joq2sx0ug8IHqxMD2YflWFJdkE_EnfMaV3mTTtOeAl3R1r9tSCW684Uf6oGTSpsQPCxKzeOrv-whmZXn5iSUOXDkscRgR-CCp_ekN6M0DSlykKiZHbneQP1KP8wUeOCE11alrZLTAJrTTOWK7vOhxL7ernM_EuuRV82TPVIoy5YCdKDmYRKg	pt_BR
dc.creator.Lattes	https://buscatextual.cnpq.br/buscatextual/visualizacv.do?id=K8276657H8&tokenCaptchar=03AFcWeA4Md2gPOI1Tp_E82hoT_pAWOyucq0SNRZIuvzVSgKeZ3_aANk8LpuR1QJqNFNrGtPYC0x-R4-zSc6PKgEDBAmIARWdd5FVgccoTQLXSd8VgxChKyMG4Z5dqfbCIJTpMYVXhIqSXbZk1xhr8npKE5Rc6xXL5r7kWWRD6pCHX38Vm2OVLXOnh5rQuOBEpqaxi8vplxe1M6qXJnpEzKMThOurO8zAqhL9g71cYcJhY-76igD4VDG2VOzjD5gYWAQbOUDUvXpc0V5hw8end-AmIXJdBoJi3XTDjU4qYIw9ztAS4WFU_ymP_QE8OW8YnRCAV7e-B5-1FPQoGOJ5Qx5YBTgK74zKX1rU3TaqyiEUQ4mC2q6wnIHFU4-qVnBAcNwmyRn358Eva4QiYkaatIVsG_Txw9NeimpL5KqSGcnXVZZqiT5V8a9EuBTXAHXh4ZQuOGTwjQBKzrlWN00GuKIRLoh67WhIBn64kynwTR028BHmQ0rT-aHyh9qhVPKdMATk17ygHpeu7majtDvkVsHqNdb7yFBddl_8QwXuAiEPFzw_o2A5KuP8u8VLR8JG_HqGwdYRL8t1Mgt0ElJeS1w-lEOWRix7oMMF2ef09S21f6ZEJ_YlRJWnqk4RUYe0RY4zGhFMCtfeXaEAirezzOJlG9pzfLhqsiSvd1kiB1Cp-lbW3Vq3VmV_DbkJ3yT2DHxauEhKYX--fIKJeexmJagLib0dhJQUW4DyqCPep9s9O5daJpztAcnaeEFdTWUgg_qNCnaoFQsh_PLtbqOhq5hX9w4NGAhHXIL8uT2i4FKZ-KJcHkcnc_ufOH8Bz5IQQuA_ab7v0iIo2ebp9x6c0LccHYDjC3DtwTj4CgbXIMIqOXqX_o_7FuWyPSreQwSo6Q3ZJvuf_i7iCXLKum7l07pnGD0xpw7LfTjVTDsKPGfNxBoPGRE6unrOJDaVui7fBJlKTO5QpRyLQETDqpnYmVy7vZuSncjCiRGlP1aW-sPowqj0qwP0gamZ8G0wZQQxom836v0WX7idMZG8ij85LNBOMMcrfuHHQlg	pt_BR
dc.description.resumo	O presente trabalho é resultado de uma pesquisa no campo da composição musical, que analisou o processo de hibridação musical entre a música de concerto e a música de terreiro, das nações jeje ou nagô, por parte dos compositores, que se tornaram professores da disciplina composição, na Escola de Música da UFBA, desde sua fundação até o ano de 2020. Com base na dissertação de Paulo Rios Filho, “Hibridação Cultural como Horizonte Metodológico para Criação de Música Contemporânea”, observaram-se então os elementos que a compõem, suas estratégias e processos, bem como as possíveis mudanças ao longo do tempo; o caráter discipular da transmissão do conhecimento acerca da hibridação cultural; além da abordagem do programa de ensino daquela disciplina seguido hoje em dia, a respeito da música ligada a terreiro. Junto a isso, foram analisadas três peças: de Jamary Oliveira (Ritual e Transe), Paulo Lima (Atotô do L’Homme Armé) e Alexandre Espinheira (Oxogbô); além da produção uma obra, com a duração aproximada de 30 minutos, para power trio e orquestra, baseada no que fora observado e apreendido.	pt_BR
dc.publisher.department	Escola de Música	pt_BR
dc.type.degree	Mestrado Acadêmico	pt_BR