Dendê em manchas: experimentações artísticas aplicadas ao design de superfície têxtil

Abstract

This thesis presented oil palm as an element of Bahia's culture that carries black identity symbols, which has promoted interactions and innovation in both contemporary art and design in contemporary art and design through different creative processes, visual languages, and authorial different creative processes, visual languages, and authorial experimentation. To this end, the conceptual proposal Oil palm in patches was developed, which dialogued in the field of culture, visual arts, surface design, and fashion design. The objective was to investigate and and produce visual poetics about the palm tree and its components through artistic experimentation that are references for the development of textile surface design. textile surface design. The theoretical and methodological approach was based on bibliographies that in a general way, about contemporary art, surface design, afro-referenced culture afroreferenced culture, palm oil, belonging, artistic experience, fashion, anthropology education, black identity, ancestry, religiosity of African matrix, formativity, creative processes, natural pigments. To this end, the cultural axis was discussed in cultural axis was discussed in Chapter 1 with the history of oil palm, the contexts the typology and classification of its formal structure, the sacred relationship it established in Candomblé and in an artistic-cultural workshop. In Chapter 2, we investigated the visual arts of visual arts by Brazilian professionals, myself included, the experience with palm oil for the the construction of the artist's book "Torrão", the action with palm oil of the performance "Aroma de Dendê", the "Aroma de Dendê", the laboratory of dyeing with palm oil, as well as the experimente experiment in natural dyeing and botanical printing with palm oil. Chapter 3contemplated the area of surface design, highlighting technical and methodological and methodological elements for the construction of projects, Aloísio Magalhães' methodological Magalhães for the creation of Cartemes, in which, based on this foundation, I created the series of patterns entitled "Cartemes with Dendê", using the reference to dendê palm and its components. Chapter 4 is dedicated to the collaborative project "Dendém: Moda Mancha which was carried out in partnership with students from the Fashion Design for the development of a capsule collection that received the same name as the project. In the Conclusion, there was the recognition of three significant results in the thesis among the experiments carried out, which are the production of the dye with palm oil, the series of patterns "and the capsule collection "Dendém: Moda Mancha de Dendê", in addition to relevant relevant points of contribution of the chapters and indications of further developments of the research. And the Appendices showed the current dimension of artisanal production, semi-artisanal and industrial production of palm oil in the territory of the South Bass of Bahia. The Character of this research was evidenced by its multidisciplinary, experimental, and qualitative approach, in which the construction of various methodological procedures in arts and design was consolidated.