Viola de cocho: delineamentos sobre patrimonialização e musealização

Abstract

This work analyzes how the rapprochement and/or distancing between the two recording actions of the viola de trough occurs, contextualizes the research problem and,provides subsidies for the justification of exploring the concept of musealization of the Emília Biancardi Collection, which includes face-to-face activities by the collector of the Solar Ferrão Cultural Center.The main objective is to understand which aspects guided the process of musealization of the viola from the points of approximation between the two registers,and approach the know-how of the viola de trough; the instrument's patrimonialization process; the trajectory of the musealization of the object; the observation of the points that meet,and either move away from the concept of musealization of a material asset and the record of patrimonialization of an intangible asset based on the case study of the viola de trough. Therefore,intangible cultural heritage involves dealing with a complex field of knowledge and political relationship, due to the various nuances with all its entangled aspects, thus, an object in a museum, which is a heritage, it is not just an item from a collection, but a piece that had and has a historical trajectory within the institution of custody. Regarding the procedure, the methodology is a case study ,since it deals with the study of a specific object from a collection, seeking to explore its real sociological context through theories.This way, The objective of this work is to contribute for the enlightenment of people who seekunderstand and learn more about museum objects,and the social environment in which it was inserted, understanding each process they undergo to become an intangible heritage.