Resumo:
The present work presents reflections related to the biography of objects from museological
institutions, for that it analyzes the “biographical itineraries” of a silver toothpick holder from
the 19th century, safeguarded by the Carlos Costa Pinto Museum, an institution located in the
city of Salvador-BA. For the development of this research, various sources were consulted,
such as periodicals from the 19th and 20th centuries, articles, theses, dissertations, books and
documents produced about the object at the Carlos Costa Pinto Museum, in addition to
methodologies such as participant observation and conversations with servants and Museum
visitors. The conception of the structure of this dissertation was inspired by the method for
elaborating the biography of a museum object developed by Samuel Alberti. The method
consists of studying the trajectory of the object from its manufacture to its incorporation into a
museological collection and in the investigation of how the object's biography was altered from
its contact with visitors to museum institutions. The work presents the toothpick holder object,
approaching some aspects about its origin, functions, meanings, physical characteristics, and
historical-social context. In addition, this dissertation discusses the habit of picking teeth and
how this practice influenced the rise and fall of the use of silver toothpick holders. Throughout
the text, information is also exposed about the paths that objects such as toothpick holders could
have taken in Bahia in the 19th century. The research also presents data specifically related to
the trajectory of a toothpick holder at the Carlos Costa Pinto Museum, analyzing information
from the moment it became a private collection object to the paths it took when incorporated
into the Museum's collection. The work also shows the contributions of the theoreticalmethodological references of the object's biograph.