https://repositorio.ufba.br/handle/ufba/496 2026-04-18T01:42:53Z 2026-04-18T01:42:53Z Dellezzopolles, Sheila dos Santos https://repositorio.ufba.br/handle/ri/44396 2026-04-17T17:18:08Z 2025-11-28T00:00:00Z

”UM A ZERO” E O IMPROVISO CONTEMPORÂNEO NA CLARINETA: SEIS PERSPECTIVAS INTERPRETATIVAS SOBRE A OBRA Dellezzopolles, Sheila dos Santos Robatto, Pedro The article explores how improvisation in choro reflects Brazilian musical identity, functioning simultaneously as an individual creative practice and a dialogue with the collective tradition of the genre. It discusses the historical consolidation of choro as a Brazilian musical form, focusing on improvisation, which evolved from small melodic variations in the early 20th century to structured solos with melodic and harmonic development in the 21st. The study analyzes recordings of Um a Zero, by Pixinguinha and Benedito Lacerda, emphasizing live improvisations by renowned clarinetists: Alexandre Ribeiro, Anat Cohen, Proveta, Caetano Brasil, Paquito D’Rivera, and Ademir Júnior, available on YouTube. It highlights how improvisation in choro expresses Brazilian musical identity in instrumental music, serving both as a personal creative act and a dialogue with the genre’s collective tradition. UNIVERSIDADE FEDERAL DA BAHIA Trabalho de Conclusão de Curso

2025-11-28T00:00:00Z Azevedo, Alisson Braulio de Aguiar https://repositorio.ufba.br/handle/ri/44366 2026-04-13T11:06:15Z 2025-11-12T00:00:00Z

Entre palhetas de raspado curto e longo: estratégia para a performance e aprimoramento musical do oboista Azevedo, Alisson Braulio de Aguiar Robatto, Lucas This article presents in its scope a case study that is intrinsically related to the author's professional performance, addressing the simultaneous professional use of the two major aspects of oboe reed scraping, in order to facilitate and make viable the routine of studies and performances in the different contexts of performance. The objective of this study was to concisely report aspects of performance based on reflection and experience of the simultaneous use of reeds, and, specifically, to bring to light experiences that corroborate the selection of a particular reed for a specific performance, in order to exemplify whether different repertoires act directly to determine the selection of a reed, and finally, to point out characteristics of this practice that bring benefits and disadvantages. To achieve these results, it was essential to use a case study and experience report methodology that took into account a bibliographic review, with the aim of delving deeper into the topic, serving as a guide in the careful review of the practical and reflective aspects to be reported in the performance diaries. After analyzing the data collected in the presentations, it was possible to confirm that the simultaneous use, in fact, had a beneficial influence on the musical performance, pointing to the use of the best available pick among both scrapings, even though within the same slope one was scraped that stood out from the others. Universidade Federal da Bahia Dissertação

2025-11-12T00:00:00Z Souza, Jana Maria Vasconcelos https://repositorio.ufba.br/handle/ri/44365 2026-04-13T11:05:45Z 2025-04-30T00:00:00Z

Três peças autorais para violão: gota de orvalho, sons de outono e valsa para Ana Souza, Jana Maria Vasconcelos Matos, Robson Barreto This work is composed of a memorial, an article, and a final product. The memorial describes the author's journey from her initial musical training to her admission into PPGPROM. The article is divided into two parts: the first discusses the characteristics of the two original pieces, “Gota de Orvalho” and “Sons de Outono,” as well as the four roles undertaken by the author in this work – researcher/narrator, composer, performer and editor. The second part presents the main idiomatic characteristics of each piece, where the author suggests possible solutions for specific passages. The final product consists of high-quality edited scores and studio audio and video recordings of the pieces “Gota de Orvalho”, “Sons de Outono” and “Valsa para Ana”. Universidade Federal da Bahia Dissertação

2025-04-30T00:00:00Z Almeida de Oliveira, Iago Carlos https://repositorio.ufba.br/handle/ri/44364 2026-04-13T11:03:34Z 2025-03-28T00:00:00Z

Preparação de Recital de Piano Solo Almeida de Oliveira, Iago Carlos Aguiar Scebba, Beatriz Alessio This Final Graduation Project presented to the Professional Graduate Program in Music (PPGPROM) of the School of Music (EMUS) at the Federal University of Bahia (UFBA), comprising the Memorial, the Article, the Final Reports, and the Final Product, proposes accounts of experiences in the learning process and preparation of a solo piano recital featuring a repertoire typically required in competitions and entrance, classification, and promotion exams at various educational institutions. The article included in this work addresses some processes for resolving technical challenges in the preparation of Franz Liszt's Sonata in B minor. As this is a piece that demands an advanced level of performance from the performer, there is a wide variety of pianistic technical aspects that could be explored, resulting in reports on more efficient and less fatiguing ways to study and execute them. We reference concepts found in the works of H. Neuhaus, J. Lhevinne, J.C. Hoffmann, and E. Y. Liberman. Although we focus on a specific piece, it is expected that the models and suggested study strategies described here can be applied to other repertoires by students and professionals at different levels Universidade Federal daBahia Trabalho de Conclusão de Curso de Mestrado Profissional (PRODAN)

2025-03-28T00:00:00Z