Floresta Negra: a remixabilidade no encontro da pintura a óleo com o digital.

Abstract

This dissertation deals with how traditional painting techniques are being renewed in the encounter with emerging media. Understanding that painting is one of the ways of producing images and I reflect on the impact of these new media on the perception of images. I try, therefore, to think how the concept of remixability used by Manovich (2005) that calls it “the transformative process through which the means and information that we organize and share can be recombined and constructed in order to create new forms, concepts, ideas, mashups and services” can be adopted to reflect on my painting which, while still working with some of the traditional techniques and teachings, expands the defined space of canvas and oil paints, taking on new dimensions: movement, music, augmented reality, reproduction, sharing. For this purpose and considering the creative process as an activity that does not only concern a work or a set of works, but that involves the artist's life, made up of paths, choices, uncertainties (SALLES, 1998; OSTROWER, 2004) the autobiographical method as part of my methodological choice for this study.