https://repositorio.ufba.br/handle/ufba/501 Sat, 02 May 2026 13:23:27 GMT 2026-05-02T13:23:27Z https://repositorio.ufba.br/handle/ri/44323 Título: Infografia Dinâmica Sobre a Evolução da Interatividade nos 30 Anos de Jornalismo Digital no Brasil Autor(es): Neves, Giovanna Hemerly Gonçalves das Primeiro Orientador: Vieira, Lívia de Souza Abstract: This study investigates the evolution of interactivity in Brazilian digital journalism over the past 30 years, analyzing how practices, technologies, and relationships between audiences and newsrooms have transformed during this period. The research combines a literature review, interviews with communication scholars and professionals, and an examination of historical archives, bringing together elements that make it possible to understand interactivity as a sociotechnical process in constant redefinition. The final output consists of an interactive timeline, published on the web through the website of the independent journalistic outlet Nexo Jornal (www.nexojornal.com.br/especial/linha-do-tempo-jornalismo-digital-brasil-30-anos), which organizes and contextualizes key milestones in the history of digital journalism in Brazil. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Trabalho de Conclusão de Curso Thu, 11 Dec 2025 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44323 2025-12-11T00:00:00Z https://repositorio.ufba.br/handle/ri/44309 Título: Estruturas elementares do cinema documental político indígena no Brasil Autor(es): Falcão, Christiane R. C. Primeiro Orientador: Serafim, José Francisco Abstract: In the history of contact between indigenous populations and Western society, contemporary times are marked by the indigenous appropriation of non-indigenous technologies with the purpose of claiming human rights and denouncing the violence that has marked this relation since at least 1500 in Brazil. With the processes of retaking territories and representation policies, indigenous peoples currently operate audiovisual apparatuses as tools of struggle. This thesis derives from research on indigenous documentary cinema, in which we analyzed three episodes of the series Maracá (2020), produced by the Articulação dos Povos Indígenas do Brasil (APIB): Plano de Cura, A Mãe do Brasil é Indígena and Ancestralidade. The series was produced and launched during the pandemic period (2020-2021), as part of the strategy to mobilize resources for emergency actions to assist indigenous communities in that difficult historical moment. Starting from the recognition of the need for a critical approach to Western epistemologies, theories and concepts used to systematize the experience of contact with indigenous peoples, in which debates about ethics and colonialism are intertwined, here we seek to shift such patterns towards an intercultural encounter in that the indigenous perspective and epistemologies are in evidence, destabilizing concepts of authorship and authority. Using a framework and contextual analysis of the relations between national society and indigenous peoples in Brazil, we arrive at similarities between Cinema Studies and Anthropology, disciplines deeply involved in the process of documenting and disseminating knowledge about indigenous peoples. In this way, we adopt an epistemological foundation for research on indigenous documentary films considering the political context and the ideas of Culture, identity and representation. With the proposal of an intercultural encounter, in this research we analyze the filmic elements that constitute documentary films in dialogue with classical analytical categories of Anthropology to subvert them to indigenous ways of representation and production of knowledge with a critical approach. From the analysis of the films, three approach lenses emerged: 1 – The incompatibility of the Nature and Culture dichotomy in the indigenous way of filming and telling stories; 2 – The story taken up by the indigenous movement, subverting the point of view of indigenous documentaries; 3 – Seniority and kinship as models of sociability on shot and reverse shot. We conclude from this intercultural encounter that the indigenous political documentary film mobilizes universes that are multiple and transversal with a focus on denouncing historical violations of rights and arguing about other possible worlds. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese Thu, 21 Nov 2024 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44309 2024-11-21T00:00:00Z https://repositorio.ufba.br/handle/ri/44308 Título: Cadê Maria Felipa? Análise de conteúdo da cobertura dos festejos da independência da Bahia em dois jornais baianos Autor(es): ANJOS, Romário dos Primeiro Orientador: Rocha, Renata Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Trabalho de Conclusão de Curso Wed, 12 Feb 2025 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44308 2025-02-12T00:00:00Z https://repositorio.ufba.br/handle/ri/44304 Título: A influência das redes sociais no cinema: a representatividade nos filmes da Disney. Autor(es): Bernardes, Fernanda Pinto de Brito Primeiro Orientador: Jesus, Guilherme Maia de Abstract: This Undergraduate Thesis aims to analyze the influence of discussions and debates held on the X platform on the production of Disney films. The research seeks to understand how the interaction between the online audience and the film industry shapes the company’s narratives and commercial strategies, as well as to investigate the type of representation promoted by this phenomenon. It also explores the incorporation of digital demands to enhance the creation and commercialization of films, contributing to the field of communication and to the understanding of the relationships between digital culture and cultural production. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Trabalho de Conclusão de Curso Tue, 16 Dec 2025 00:00:00 GMT https://repositorio.ufba.br/handle/ri/44304 2025-12-16T00:00:00Z