https://repositorio.ufba.br/handle/ri/6210 Mon, 04 May 2026 08:15:27 GMT 2026-05-04T08:15:27Z https://repositorio.ufba.br/handle/ri/41395 Título: Gênero na rede, raça no berço e sexo na parede: a lésbica como fio de interrogação da sexualidade em práticas feministas brasileiras. Autor(es): Costa, Jussara Carneiro Primeiro Orientador: Sardenberg, Cecilia Maria Bacellar Abstract: This work results from a doctoral research developed between 2010 and 2013, at the PPGNEIM/UFBA. Taking lesbian identity as a question line, I analyze the accommodation of sexuality in the discursive practices of Brazilian feminism, within the scope of the Articulação de Mulheres Brasileiras/AMB [Articulation of Brazilian Women], a space of belonging as an academic activist. Guided by the hypothesis that the tensions between lesbians and feminists recorded in literature, and also in lesbian activism, are located in the way lesbians are positioned in the dispositif of sexuality, the organization of the research corpus was guided by the foucaultian genealogical proposal, carried out through theoretical reframing of the theme, analysis of documents, direct observation and systematic recording. The result is presented in five chapters. The first presents the process of framing the theme and delineating the methodological arrangement. Aiming to recover the conditions of enunciation of the AMB; in the second, I reconstitute the categorical framing of women in the Brazilian dispositif of sexuality, in different historical contexts, as a reference to question how feminist strategies dealt with these locations and, in the meantime, how lesbian identity was positioned. Sequentially, in the third chapter, I present the network, the influences of the experiences accumulated in the epistemic and theoretical transits and operational aspects, noting that its practices are anchored in the signifier “woman”, around which they affirm an ideal of the subject and the purposes for which it is intended, simultaneously affirming its identity as a collective subject. In the fourth chapter, I confront the techniques used in the construction of this subject with those applied by neoliberal governmentality, within which identity politics and the rhetorical field of access to rights via public policies are articulated. Having verified that the articulated arrangements do not take sexuality as a dispositif, I continue the itinerary of this work following the lesbian to, in the fifth and last chapter, inquire about the location of sex within the network. Corroborating the hypothesis of the research, there is an incentive to vocalization as well as many tensions as regards enunciation, related to the threats of fissure that they represent to the stability of the subject, finding in this analogy with the “trans” woman and the [idea of a] “feminist whore”, differing from the situation of the race question, which has its place assured without major conflicts. Finally, this work demonstrates that sex is still located in a pre-discursive domain, pervasive to the arrangements created, including by lesbians, to put the discussion into operation. From which it can be concluded that, if gender is on the network, race is cradled in the cradle and sex, however, remains against the wall. Editora / Evento / Instituição: UNIVERSIDADE FEDERAL DA BAHIA Tipo: Tese Fri, 28 Mar 2014 00:00:00 GMT https://repositorio.ufba.br/handle/ri/41395 2014-03-28T00:00:00Z https://repositorio.ufba.br/handle/ri/41273 Título: O fantástico negro sem asas (ou o insustentável voo da borboleta): itinerários das masculinidades negras em to pimp a butterfly, de Kendrick Lamar Autor(es): Santos, Daniel dos Primeiro Orientador: Rosa, Laila Andresa Cavalcante Abstract: This thesis is the result of the second phase of #TheGangstaProject, a scientific research project on black masculinities in the Hip-Hop culture of the United States of America, this time temporally focused on the first decades of the 21st century. From a dense investigation process on the audiovisual work of rapper Kendrick Lamar, it is possible to decode and analyze the configurations of representations about black masculinities present in the narratives of Gangsta Rap video clips, a musical subgenre that subverted and redefined the iconographic system of representation of black men, a tradition inherited from the slave-holding colonial past reinvented in the American collective racial imaginary from the New Racism phenomenon. Through an intersectional theoretical-methodological perspective, established between the History and Historiography of Slavery and Post-Abolition in the United States, Black Feminist Thought, Radical Black Thought, Black African Philosophy and Arts, a sequence was developed of symbolic disassembly exercises, imagery deconstruction and cultural criticism about the series of video clips from the album To Pimp a Butterfly (2015). Activating iconographic systems as devices of domination, control, expropriation and violence of racialized and masculinized bodies and subjectivities, this thesis travels through an inter and multidisciplinary itinerary to understand the operational dynamics of representation practices, from the social markers of identification and differentiation of subjects (especially the race-gender-class triad), as well as diagnosing its effects and, above all, consequences for the politics of black masculinities in the present time. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese Mon, 15 Aug 2022 00:00:00 GMT https://repositorio.ufba.br/handle/ri/41273 2022-08-15T00:00:00Z https://repositorio.ufba.br/handle/ri/41174 Título: Caminhos de Èṣù para um candomblé contracolonial: gêneros, raças e sexualidades insurgentes Autor(es): Dias, Claudenilson da Silva Primeiro Orientador: Aras, Lina Maria Brandão de Abstract: African-based religions have been subjected, since their formation until 11rocess times, to colonization relations, which is why I intend to analyze, in the light of the 11rocess of decolonization of knowledge/power/being/gender, of black and intersectional feminisms, of queer studies and transfeminist studies, as the colonial 11rocess focused on two main aspects that are interconnected: the demonization of the orixá Èsù, as well as the understanding of gender, race and sexuality relations in the Traditional Communities of Terreiros. At the same time, the thesis also highlights how Èsù resisted colonization processes and how this has a direct relationship with issues of gender, races and sexualities. Thus, the thesis intends to analyze the narratives surrounding the figure of Orisa Èsù while interpreting sexual and gender dissent and racial perspectives as actions to confront the cisheteronormativities and 11rocess 11rocesso in our terreiro communities, these constituted from the norms Judeo-Christian colonials. The intention is to promote resistance in terreiro communities, which points to the existence of a process to change mentalities in these sacred territories, which we propose to call ® Anticolonial Candomblé. The analysis took place in Candomblé terreiros, in the city of Salvador, Metropolitan Region of Salvador, and in the city of Suzano (Metropolitan Region of the State of São Paulo), and sought to understand the relationships of continuity/rupture/resistance that Afro religious cults maintain with colonization. The field research, of a qualitative nature, includes individual interviews, observant participation in liturgical moments in communities of African origin, in addition to the analysis of training audiovisual materials, displayed on the social networks (Youtube and Instagram) of the leaders who form the dialogue of this thesis , in order to understand, through these terreiro leaders, how colonial norms have been questioned, especially regarding genders, races and sexualities, in addition to how these leaders promote the 11rocesso f changing mentalities in their communities. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese Mon, 14 Oct 2024 00:00:00 GMT https://repositorio.ufba.br/handle/ri/41174 2024-10-14T00:00:00Z https://repositorio.ufba.br/handle/ri/40747 Título: A Casa dos Afetos: mulheres rurais e a performance/escrita de si como forma de resistência Autor(es): Santos, Geisa Lima dos Primeiro Orientador: Tavares, Márcia Santana Abstract: The present thesis is a path to/in the countryside, it is an irregular trail through the woods, which cuts through the stream, visits the flour house and expands into the yard, it’s a mapped image of the lives of two Antônias - Almeida and Barbosa - Isaura, Valdete, Rosa, Terezinha, Carmelita, Josefa and Marilza. The narratives of life in the House of Affection are put into words and poetry, that wattle and daub house and its characters have their stories dissected, turned over, converted into a text-map. Some questions guided the research: how to share the narratives and uncover how the nine characters, rural women from the Pati and Rio Branco communities in Alagoinhas and Araçás in Bahia, carried out the performance/writing of the oneself in an attempt to resist? How was the construction of their subjectivities in the context in which they lived? The possible answer was: to map the movements of intinerances/errancies of the nine women of the Schramm-Barbosa family, from a perspective aimed at understanding the micro-revolutions they undertook through the construction of the oneself. The specific objectives outlined to understand the micro-stories in their complexities were: to analyze the articulations and breaks between the signs of culture, memory, and the subjectivities constructed by the women in the research; to expose the traps of the pedagogy of domestication in the context of the researched rural communities; to investigate the life performances and aesthetic-political-cultural actions of the characters in the research; to map the strength and movement of the rural women in the present investigation. The methodological paths were aligned point by point with the reflective line of the needle, which connected the authors in the stitching: Nascimento (2018), Moreira (2016), Perrot (1989) and (2019), Rago (2013), Oyěwùmí (2021), Gonzalez (2018), Muraro (2002), Ribeiro (2019) and (2021), Bento (2022), Evaristo (2017), Mercês (2022), Adichie (2021) and (2019), Federici (2017), Franco (2001), hooks (2022), Kilomba (2019), Rios (2011), Rolnik (2016), with the narratives told by the twenty-five people interviewed. Regarding the methodological aspects, the following were carried out: bibliographic and iconographic mapping, interviews, audio and video recording, search for old photographs, drawing production and QR code creation with the aim of capturing, through the cartographic-performative method, the traces, signs, discourses, aesthetic-political-cultural actions of the characters/women of the countryside. As a result of the research, the notion of the countryside as a discursive/theoretical field is presented to deconstruct the concept of the countryside as a non-place and/or in-between place; the most important point is the construction of the perception of the nine women/characters as tireless fighters who undertook micro-revolutions in their daily lives, metamorphosing life and trying not to fall before patriarchy, poverty, hunger, and violence; they constituted themselves every day, whether in manual labor, at the market, at home, in bed or praying, thus breaking down the image of the rural woman as a complex of eternal passivity. The investigation is relevant, therefore, to make visible the real stories of rural women, whether Barbosa or Schramm, reaching the academic space with the purpose of dismantling phallocentric signs in the social imaginary and spreading the power, the desire for becoming that is still alive in the House of Affection. The thesis is a wattle and daub house... Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Tese Tue, 12 Dec 2023 00:00:00 GMT https://repositorio.ufba.br/handle/ri/40747 2023-12-12T00:00:00Z