https://repositorio.ufba.br/handle/ri/18790 Sun, 03 May 2026 06:38:50 GMT 2026-05-03T06:38:50Z https://repositorio.ufba.br/handle/ri/28173 Título: A novidade da performance art: Explorações em sociologia associativa Autor(es): Martins, Daniela Félix Carvalho Abstract: This thesis aims to present performance art both in its being held and remaining in the world via a collaborative flow between actors, artists, audiences, producers, public policy, and both traditional (e.g. galleries and museums) and non-traditional (e.g. streets and public spaces in general) art spaces. The terms to hold and remain are used both in the sense of its being sustained throughout a duration as a live event, and its longevity through traces such as photos, videos, written instructions and its material remains etc. These elements were gathered into an empirical research study, realized mainly in Brazil, but also during brief periods in Chile and Peru, and later in London, where the time devoted to research was more extensive, mostly consisting of documentary research at LADA – Live Art Development Agency. From the theoretical point of view, the approach aligns itself with the newer developments in sociology of art, but also highlights some insufficiencies of this sociology in thinking about performance art. Consequently, it has become necessary to explore concepts from outside the area, not only in sociology itself and anthropology (only making some indications regarding that issue), but also from philosophy, in terms of the resources it has recently offered the social sciences. Authors from the field of the arts were invited to discuss this sociological study. Tipo: Tese Tue, 13 Jun 2017 00:00:00 GMT https://repositorio.ufba.br/handle/ri/28173 2017-06-13T00:00:00Z