https://repositorio.ufba.br/handle/ri/11226 Sun, 03 May 2026 05:39:50 GMT 2026-05-03T05:39:50Z https://repositorio.ufba.br/handle/ri/43062 Título: O roteirista que dirige: processos de criação do roteirista-diretor Jorge Furtado na ficção seriada brasileira Autor(es): Federico, Sofia Pedreira Primeiro Orientador: Souza, Maria Carmem Jacob de Abstract: This dissertation aims to study the craft of the writer-director who works in the Brazilian market of television fictional series, examining their main tasks, dispositions and creative processes. Throughout the research, the aim was to understand what happens when a professional concentrates these creative functions in the same fiction serials for television, starting from the knowledge of the different roles of scriptwriter and director of serial television drama. Since it was difficult to find studies that detailed this specific type of hybrid activity, it was decided to study the career and analyse the speeches of Jorge Furtado, the renowned writer-director of Brazilian series, who is also a filmmaker and multifaceted author of literary, cinematographic and television works. In order to analyse Furtado's career, which spans more than 40 years, the methodological basis was the concepts formulated by Pierre Bourdieu (1996) and Igor Sacramento (2014). In a complementary way, the analytical work was based on the problem-solution paradigm of Michael Baxandall (2006), combined with the perspective of David Bordwell (2008). Finally, by understanding the burdens, dispositions and responsibilities attributed to scriptwriters who direct, it was possible to draw up a profile of the craft of scriptwriter-director of fiction series. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Fri, 20 Sep 2024 00:00:00 GMT https://repositorio.ufba.br/handle/ri/43062 2024-09-20T00:00:00Z https://repositorio.ufba.br/handle/ri/42700 Título: Os shippers de Once upon a time: disputas interpretativas e comunidades de recepção Autor(es): Pontes, Enoe Lopes Primeiro Orientador: Gomes, Regina Lucia Abstract: The present dissertation seeks to understand and prove the hypothesis that the act of twisting by a romantic pair in a fiction can be considered as an instance of reception, because these groups form Interpretative Communities, based on the concept of theorist Stanley Fish (1992). From the fan groups of the series Once Upon a Time (OUAT, 2011-), our work follows the author's logic by putting the fans by couples as a meaning-making group, in which these communes would enter into disputes to validate the their interpretations, based on arguments that guide their logics, are the past experiences, struggles and ways of recognizing the world, especially in matters of gender and sexuality. The clash between them is also observed and analyzed from communicative concepts that speak of the behavior of the contemporary con-sumer public. Within the speed and quantity of information propagated daily within the inter-net, the phenomenon named "Jenkins, Ford and Green" (2015), of "spreadable media", is con-figured. In order to understand the functioning of the analyzed individuals, we use the "partic-ipant observation", along with the studies acquired in the bibliographic review. The follow-up of the data collected for this research happened in three groups of the social network. It is within this context that the discussions, afflictions and affections of the viewers of the series chosen as object of study spread and gain importance for their original filmmakers. The pre-sent study seeks to understand and understand the particularities of the fans and of OUAT. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Sun, 18 Feb 2018 00:00:00 GMT https://repositorio.ufba.br/handle/ri/42700 2018-02-18T00:00:00Z https://repositorio.ufba.br/handle/ri/42628 Título: Experiências Queer nas Cinematografias Africanas: Possibilidades Analíticas entre a Representação e o Figural Autor(es): Costa, Thaís Vieira Primeiro Orientador: Ribeiro, Marcelo Rodrigues Souza Abstract: This dissertation investigates sexual and gender dissidences in South African and Kenyan contexts through the analysis of three contemporary films: Inxeba – The Wound (2017) and Heaven Reaches Down to Earth (2020), from South Africa, and Stories of Our Lives (2014), from Kenya. The research starts from the recognition that dissident experiences existed in the pre-colonial period (Murray; Roscoe, 1998), although they have been silenced by normative discourses throughout history. Two dominant imaginaries prevail in narratives about these experiences on the continent: that of structural homophobia and the interpretation of queerness as a Western import (Ekine; Abbas, 2018; Rea et al., 2018). Based on film studies, with emphasis on representational analysis (Hall, 2016) and figural analysis (Brenez, 2023), this dissertation examines how queer African cinemas articulate these experiences through visual, symbolic, and narrative elements, addressing issues such as desire, identity conflict, corporeality, nature, and pleasure. It also considers the contexts of production and reception of the works, as well as other artistic languages, such as photography and literature, that dialogue with the films. The central aim is to identify how the figural resources in the films challenge normative conceptions and construct new images of dissident identities on the African continent. Ultimately, the study reaffirms the role of cinema as a powerful language in shaping subjectivities and expanding contemporary discussions on gender and sexuality. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Fri, 28 Mar 2025 00:00:00 GMT https://repositorio.ufba.br/handle/ri/42628 2025-03-28T00:00:00Z https://repositorio.ufba.br/handle/ri/42109 Título: Fontes de notícias na era das redes: o X (Twitter) como gerador de pautas sobre o Big Brother Brasil Autor(es): Cerqueira, Ana Carolina Faria Pedreira de Primeiro Orientador: Vieira, Lívia de Souza Abstract: The reality show Big Brother Brasil (BBB), broadcast by TV Globo, fosters the phenomenon of second screen, also called Social TV and backchannel, by building a parallel program on social media, especially on X (Twitter), which has a strong affinity with the concept due to its characteristics and tools. Based on reflections on what this scenario proposes for the press, this dissertation focuses on the journalistic coverage of BBB by Folha de S.Paulo in the years 2022, 2023, and 2024. The hypothesis established is that X sets the agenda for journalistic production, being institutionalized in the news creation process. To test this hypothesis, answer the question about the role of X in this coverage, and achieve the overall objective of understanding how discourses created on X about the reality show influence Folha de S.Paulo, three pillars were established. First, a bibliographic research was conducted to study X, digital journalism, and what becomes news, with an emphasis on the transformations in the concept of agenda-setting and the impacts of metrics analysis. Second, 296 articles from Folha de S.Paulo covering BBB 22, 23, and 24, that included the word “Twitter,” were analyzed to construct a table. Third, interviews were conducted with three reporters and two editors from Folha de S.Paulo. Through this methodological triangulation, the research confirmed the hypothesis and concluded that X shares protagonism with the pay-per-view in the journalistic coverage of BBB, not only being used for generating the agenda but also for collecting information, photos, and videos during the reporting stage. Similarly, it is also used as a source provider (users who publish comments about the show), incorporated into articles through the transfer of excerpts and/or embedded posts. In this context, the research highlights the importance of trending topics in the agenda-setting process, which indicates a strong newsworthiness potential for topics and events that go viral, and simulates platformized editorial meetings that signal the weakening of traditional editorial meetings. As an observer of the second screen phenomenon and producer of articles based on this repertoire, the journalism analyzed in this research, therefore, provokes new understandings about the term third screen. Based on BBB and Folha de S.Paulo, the research aims not only to capture a picture of the current moment but also to reflect on the past, present, and future of journalists' use of X in the news production process. Editora / Evento / Instituição: Universidade Federal da Bahia Tipo: Dissertação Tue, 11 Mar 2025 00:00:00 GMT https://repositorio.ufba.br/handle/ri/42109 2025-03-11T00:00:00Z