DSpace Coleção:https://repositorio.ufba.br/handle/ri/192662024-03-29T14:45:15Z2024-03-29T14:45:15ZDendê em manchas: experimentações artísticas aplicadas ao design de superfície têxtilPortela, Pablo Luís dos Santoshttps://repositorio.ufba.br/handle/ri/390702024-02-22T18:16:34Z2023-03-03T00:00:00ZTítulo: Dendê em manchas: experimentações artísticas aplicadas ao design de superfície têxtil
Autor(es): Portela, Pablo Luís dos Santos
Primeiro Orientador: Factum, Ana Beatriz Simon
Abstract: This thesis presented oil palm as an element of Bahia's culture that carries black identity symbols, which has promoted interactions and innovation in both contemporary art and design in contemporary art and design through different creative processes, visual languages, and authorial different creative processes, visual languages, and authorial experimentation. To this end, the conceptual proposal Oil palm in patches was developed, which dialogued in the field of culture, visual arts, surface design, and fashion design. The objective was to investigate and and produce visual poetics about the palm tree and its components through artistic experimentation that are references for the development of textile surface design. textile surface design. The theoretical and methodological approach was based on bibliographies that in a general way, about contemporary art, surface design, afro-referenced culture afroreferenced culture, palm oil, belonging, artistic experience, fashion, anthropology education, black identity, ancestry, religiosity of African matrix, formativity, creative processes, natural pigments. To this end, the cultural axis was discussed in cultural axis was discussed in Chapter 1 with the history of oil palm, the contexts the typology and classification of its formal structure, the sacred relationship it established in Candomblé and in an artistic-cultural workshop. In Chapter 2, we investigated the visual arts of visual arts by Brazilian professionals, myself included, the experience with palm oil for the the construction of the artist's book "Torrão", the action with palm oil of the performance "Aroma de Dendê", the "Aroma de Dendê", the laboratory of dyeing with palm oil, as well as the experimente experiment in natural dyeing and botanical printing with palm oil. Chapter 3contemplated the area of surface design, highlighting technical and methodological and methodological elements for the construction of projects, Aloísio Magalhães' methodological Magalhães for the creation of Cartemes, in which, based on this foundation, I created the series of patterns entitled "Cartemes with Dendê", using the reference to dendê palm and its components. Chapter 4 is dedicated to the collaborative project "Dendém: Moda Mancha which was carried out in partnership with students from the Fashion Design for the development of a capsule collection that received the same name as the project. In the Conclusion, there was the recognition of three significant results in the thesis among the experiments carried out, which are the production of the dye with palm oil, the series of patterns
"and the capsule collection "Dendém: Moda Mancha de Dendê", in addition to relevant relevant points of contribution of the chapters and indications of further developments of the research. And the Appendices showed the current dimension of artisanal production, semi-artisanal and industrial production of palm oil in the territory of the South Bass of Bahia. The Character of this research was evidenced by its multidisciplinary, experimental, and qualitative approach, in which the construction of various methodological procedures in arts and design was consolidated.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Tese2023-03-03T00:00:00ZGrafias em circuitos digitais: imagens de um presente de clausuras e exceçõesLucena, Pablo Lemoshttps://repositorio.ufba.br/handle/ri/390692024-02-22T18:07:05Z2023-10-03T00:00:00ZTítulo: Grafias em circuitos digitais: imagens de um presente de clausuras e exceções
Autor(es): Lucena, Pablo Lemos
Primeiro Orientador: Pimentel, Ludmila Cecilina Martinez
Abstract: This research in the line of Creative Processes in Visual Arts had as its main premise, image as representation, dialectical image, prioritizing the languages of photography and video. During theoretical and imagery research, a cartography on art and politics was drawn, in which it was possible to explore different periods of art history as a way of tensioning artistic practice. To this end, dialogues were established with authors such as: Didi-Huberman, Jacques Rancière, Walter Benjamin, Hall Foster, Peter Bürger or with artists such as Harun Farocki, Ai Weiwei and Cao Guimarães. During the beginning of creation process, BRT construction space and the workers were photographed, raising questions about the recent transformations that took place in the city of Salvador, however, with the arrival of the Covid 19 Pandemic, other procedures were used during confinement. From the window of an apartment, the camera was redirected towards urban workers, the infoproletariat, the informal and unemployed people moving around the city, at the same time aspects of the political context and subjectivity of the artist in quarantine were manifested. In this way, a dialectic of images and their overflows was created not only by focusing on social reality, but also by applied digital interference.
Editora / Evento / Instituição: UNIVERSIDADE FEDERAL DA BAHIA
Tipo: Tese2023-10-03T00:00:00ZA Escola de Belas Artes da Bahia: pintores esquecidos e consagrados 1889-1950Silva, Anderson Marinho dahttps://repositorio.ufba.br/handle/ri/377842023-09-16T05:04:36Z2023-06-22T00:00:00ZTítulo: A Escola de Belas Artes da Bahia: pintores esquecidos e consagrados 1889-1950
Autor(es): Silva, Anderson Marinho da
Primeiro Orientador: Freire, Luiz Alberto Ribeiro
Abstract: This thesis addresses the artistic, political and institutional reasons that led to either the recognition or the oblivion of some Bahian painters in the first half of the 20th century. Graduated from the School of Fine Arts of Bahia (Escola de Belas Artes da Bahia - EBAB), all of those painters taught drawing or painting in the State of Bahia (Brazil) and contributed to the advancement of Bahian arts. Regardless of their different aesthetical approaches and artistic levels, all of those painters enjoyed recognition in the first three decades of the last century. The Architecture course at EBAB came to the forefront in the 1920s, and a group of engineers trained at the Polytechnic School took over the school in 1928, aiming at remodeling the Architecture course, which hadn’t had official recognition thus far. In keeping with the modernist ideology in place at that time, the architect was the professional chosen to lead the country towards building a new national identity, and Architecture courses were to train such professionals. At EBAB, artists accused the engineers of embezzling funds from the Caminhoá Legacy, a testamentary gift made to the school by the engineer Francisco Caminhoá in 1915, which led to conflicts between artists and engineers resulting in the suspension, dismissal or retirement of the senior artist teachers, who were replaced by renowned names in Bahian art with the intent of both renewing the art of painting and hiding the accusations. Managed by the engineers, the school was renewed and got the political support necessary to rebuild it, being then annexed to the University of Bahia in 1947. The artist teachers who remained alongside the engineers, thereby helping in the modernization project, were recognized by our historiography, while the others were hidden and gradually forgotten. The uproar between senior artists and engineers, the modernization project and the modernist historiography in Bahia highlighted some painters and excluded others, thus interfering in their lives and also in their memories.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Tese2023-06-22T00:00:00ZArte, memória e re-existência: a criação artesanal das mulheres no Oeste baianoSantos, Jancileide Souza doshttps://repositorio.ufba.br/handle/ri/352522022-05-26T18:35:09Z2020-09-29T00:00:00ZTítulo: Arte, memória e re-existência: a criação artesanal das mulheres no Oeste baiano
Autor(es): Santos, Jancileide Souza dos
Primeiro Orientador: Freire, Luiz Alberto Ribeiro
Abstract: The thesis discusses the current situation of artisanal creation of ancestral origin produced by women who work with clay and vegetable fibers, in communities in Western Bahia, from an interdisciplinary and transdisciplinary perspective and from a situated and intersectional reflection, that is, considering the interconnections between gender, social class and race/ethnicity as an important data to understand the marginalization of the work of artisans in the systems of arts and culture in Bahia and Brazil. The research interprets female artisan creation as an artistic expression of the re-existence of the collective and biocultural memory of traditional communities, as well as a reflection on the role of artisans in preserving the memory and the biocultural heritage of their communities. The art of these women is the result of a knowledge about the proper management of minerals and plants inherited and transmitted by generations of black and afro-indigenous women, who live in cities and, especially, in communities in the rural area of Western Bahia.; La tesis aborda la situación actual de la creación artesanal de origen ancestral producida por mujeres que trabajan con arcilla y fibras vegetales, en comunidades del Oeste de Bahía, desde una perspectiva interdisciplinaria y transdisciplinaria, y de una reflexión situada e interseccional, es decir, considerando las interconexiones entre género, clase social, raza / etnia como dato importante para comprender la marginación del trabajo de las artesanas en los sistemas de las artes y de la cultura baiana y del Brasil. La investigación interpreta la creación artesanal femenina como una expresión de la re-existencia de la memoria colectiva y biocultural de las comunidades tradicionales, así como lleva a cabo una reflexión sobre el papel de las artesanas en la preservación de la memoria y del patrimonio biocultural de sus comunidades. El arte de estas mujeres es el resultado de un conocimiento sobre el manejo adecuado de minerales y plantas heredados y transmitidos por generaciones de mujeres negras y afro-indígenas que viven en ciudades y, principalmente, en comunidades rurales del Oeste de Bahía.
Editora / Evento / Instituição: Universidade Federal da Bahia
Tipo: Tese2020-09-29T00:00:00Z